Often described as the single most significant “propaganda film” ever made, it was also Eisenstein’s first attempt at using the editing technique of “montage”. Eisenstein concluded his silent film trio with 1927’s October: Ten Days That Shook the World, a tribute to the 1917 October Revolution. Though it did not receive the same critical and popular acclaim as its predecessors, the film truly established Eisenstein as the “Father of Montage.”