“Christy”, interview with the director Brendan Canty

At the 75th Berlinale Film Festival, we had the pleasure of speaking with Brendan Canty, director of “Christy”, the opening film of the Generation section. Set in the north side of Cork City, “Christy” follows a foster kid forced to return to his half-brother while searching for a new home. Through this journey, he discovers himself, his past, and the power of community.

From Short to Feature: The Challenges of Expansion

Originally conceived as a short film, “Christy” evolved then into Canty’s debut feature. The biggest challenge? Giving depth to the supporting characters. “They couldn’t just be side characters,” Canty explains, emphasizing how real-life inspiration shaped an ensemble film where every character has their moment.

Authenticity in Representation

Canty and writer Alan O’Gorman were determined to portray foster kids’ experiences authentically. With foster children among the cast and crew, the film aims to provide genuine representation. “We wanted them to feel seen,” Canty shares, noting the importance of ensuring the right stories were told.

A Personal Journey: Shooting in Hometown Cork

The first day of shooting was surreal for Canty. Returning to his hometown, Ballincollig, he woke up in his childhood home and walked through familiar streets to set. This deeply personal connection added an extra layer of meaning to the filmmaking process.

The Inspiration Behind “Christy”

The film’s concept originated from a chance encounter with a group of teens in Knocknaheeny. One boy’s words—”That’s not for us“—about filmmaking sparked the idea behind “Christy.” It became a story about opportunity, or the lack of it, and how a strong community can change lives.

Building a Safe Space on Set

Canty fostered a supportive environment for his cast, many of whom came from Kabin Studio, a creative hub in Cork. He ensured the crew understood the community’s significance, making the set a “safe space” where actors could deliver their most authentic performances.

Lessons for Future Projects

Reflecting on his first feature, Canty acknowledges the importance of exposition in storytelling. “Sometimes, you need to let the audience in,” he admits. This experience has given him confidence and a deeper understanding of storytelling techniques for future projects.

With “Christy”