“Sister Midnight”, interview with the director Karan Kandhari

At the Quinzaine des Cinéastes, Karan Kandhari talked with FRED Film Radio about his directorial debut, “Sister Midnight”.
The film, a darkly humorous take on an arranged marriage in Mumbai, showcases a unique blend of cultural influences and features a standout performance by Radhika Apte as Uma.

Inspiration Behind the Film and Character of Uma

Karan Kandhari reveals the genesis of “Sister Midnight,” citing his fascination with Mumbai’s eclectic and intoxicating personality as the initial spark for the story. “The city’s mishmash of cultures and histories clashing yet harmonizing inspired me,” he explains. The character of Uma emerged from his observations of this vibrant urban tapestry, evolving into a fierce and unconventional protagonist.

A Coming-of-Age Story

When asked if “Sister Midnight” could be considered a coming-of-age film, Kandhari affirms, “Absolutely. It’s about Uma’s transformation and self-discovery in the chaotic environment of her new life.” The film follows Uma’s journey from a timid bride to a bold, unapologetic woman, making it a quintessential coming-of-age narrative with a darkly comedic twist.

Collaboration with Radhika Apte

Discussing his collaboration with Radhika Apte, Karan Kandhari lights up, “Radhika was always the perfect choice for Uma. Her fearless approach and ability to embody complex emotions made her an ideal fit.” He praises Apte’s dedication and creativity, noting that their work together was akin to “having the best imaginary friend come to life.”

Music’s Role in the Film

Karan Kandhari emphasizes the significance of music in “Sister Midnight,” describing it as an eclectic mix that mirrors the film’s diverse influences. “From Motorhead to vintage Cambodian soundtracks, the music adds a playful and unpredictable layer,” he says. Kandhari’s passion for music is evident as he explains how it shapes the film’s rhythm and enhances its narrative.

Stop-Motion Animation for Animals

On the use of stop-motion animation for animals, Karan Kandhari shares, “I wanted a lo-fi, surreal quality that stop-motion brings. It adds a fantastical element that complements the film’s punk aesthetic.” This choice underscores the film’s blend of dark comedy and whimsical fantasy.

Setting the Film in Mumbai

Mumbai’s setting is crucial to the film’s atmosphere and story. Karan Kandhari explains, “Mumbai’s vibrant, chaotic energy is almost a character. It amplifies Uma’s journey and the film’s overall mood.” He recounts how the city’s dynamic environment provided the perfect backdrop for the narrative’s unfolding drama and humour.

Uma’s Transformation and the Symbolic Nose Bandage

A significant symbol in the film is the criss-cross bandage on Uma’s nose, which Kandhari explains: “The bandage represents Uma’s transformation and resilience. It makes her look badass and signifies her evolution from vulnerability to empowerment.” This visual cue helps to track her journey throughout the film, reflecting her inner strength and rebellious spirit.

“Sister Midnight” is a bold, darkly humorous addition to contemporary cinema. Karan Kandhari‘s debut film, anchored by Radhika Apte‘s phenomenal performance, explores themes of identity, resilience, and rebellion set against the vibrant backdrop of Mumbai.

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