Guest speaker: Terence McKenna
PROGRAM NOTES:
NOTE: All quotations below are by Terence McKenna
(Minutes : Seconds into program)
2:10 "Civilization has made us uncomfortable with our human-ness because these various technologies and phonetic alphabets and things like that have rearranged our sensory ratios from what they were in Paleolithic times. In a sense, [psychedelics] hit your reset button, they address the animal body, they address a deeper level than cultural conditioning, and so you feel and experience these atavistic images and feelings that civilization has repressed or transmuted in you."
3:53 "Cubism is created when Picasso brings African masks to Paris… Freud announces that… right beneath the surface… extremely violent, primitive impulses are [in us]… Jazz introduces syncopation… Women begin to display more of their animal nature through flapper-dancing… The whole of the 20th century is a turning back toward these values that had been repressed for millennia."
7:15 "Once you get to this place on what we might metaphorically call your spiritual quest, once you get to the place where you hear about psychedelics, the issue is no longer about, ‘Where is the gas pedal on the spiritual vehicle?’ The issue suddenly becomes, ‘Where is the brake?’… The doorway stands open, and all it requires is courage. Which is not to say it doesn’t require a lot…"
8:30 "I’ve [taken psychedelics] many times. There are many people here who have done it many times. And, the survivors are not confident. It doesn’t build hubris in you. It doesn’t promote bravado, because you know how quickly and horrifyingly it can cut you down to size…"
9:02 "Sometimes the issue of magic and power comes up-I wouldn’t get near that… My goal is to see more, to understand more, and what I do on a trip is damn-near absolutely nothing."
9:38 "It’s an incredible statement about our human-ness… that within us, under the influence of these plants, we have, literally, Niagaras of alien beauty…"
10:04 "When I take mushrooms, I see more art in twenty minutes of behind the eyelids hallucination… than the human race seems to have produced in the last thousand years. On one level, that’s an incredible statement about the human capacity to generate and be in the presence of beauty. But the paradox is that so few people know this."
11:50 "[The 'gratuitous grace' of the psychedelic experience] is like a secret of some sort. And it’s a true secret, in that telling it does not give it away. I know this because I’ve been trying to tell this secret for twenty-five years, to anyone who would listen…"
14:20 "If you study the mystical literature… it all triangulates toward unitary states. ‘Bodhi mind’, ‘the white light’, ‘the ineffable’, ‘the unnamable’, ‘the radiance’. Vocabularies… which indicate some kind of homogeneity. …[but] when you push [psilocybin] there seems to be… a revelation of multiplicity, of detail, of complexification within complexification… an overwhelmingly bewildering profusion of phenomena."
17:08 "…the great confounding fact that I’ve brought back from my excursions in these places is that there is an organized intelligence in there… far more alien than the cheerful pro-bono proctologists that haunt the trailer-parks of the less-fortunate… What does it mean that our culture has sealed us off from this information?"
19:46 "What is the implication for the future [when] in this dark hour of complete over commitment to technology, economic solutions, rational reductionism, materialism, and so forth… this news [of psychedelics] arrives from these repressed aboriginal people that we have marginalized and humiliated in the process of building our own version of a global culture?"
21:28 "…where [psychedelics] hit us hardest is in the domain of art and invention and novelty, and we have built a culture that-however hostile it may be to the psychedelic experience-is incredibly friendly toward novelty, innovation,
PROGRAM NOTES:
NOTE: All quotations below are by Terence McKenna
(Minutes : Seconds into program)
2:10 "Civilization has made us uncomfortable with our human-ness because these various technologies and phonetic alphabets and things like that have rearranged our sensory ratios from what they were in Paleolithic times. In a sense, [psychedelics] hit your reset button, they address the animal body, they address a deeper level than cultural conditioning, and so you feel and experience these atavistic images and feelings that civilization has repressed or transmuted in you."
3:53 "Cubism is created when Picasso brings African masks to Paris… Freud announces that… right beneath the surface… extremely violent, primitive impulses are [in us]… Jazz introduces syncopation… Women begin to display more of their animal nature through flapper-dancing… The whole of the 20th century is a turning back toward these values that had been repressed for millennia."
7:15 "Once you get to this place on what we might metaphorically call your spiritual quest, once you get to the place where you hear about psychedelics, the issue is no longer about, ‘Where is the gas pedal on the spiritual vehicle?’ The issue suddenly becomes, ‘Where is the brake?’… The doorway stands open, and all it requires is courage. Which is not to say it doesn’t require a lot…"
8:30 "I’ve [taken psychedelics] many times. There are many people here who have done it many times. And, the survivors are not confident. It doesn’t build hubris in you. It doesn’t promote bravado, because you know how quickly and horrifyingly it can cut you down to size…"
9:02 "Sometimes the issue of magic and power comes up-I wouldn’t get near that… My goal is to see more, to understand more, and what I do on a trip is damn-near absolutely nothing."
9:38 "It’s an incredible statement about our human-ness… that within us, under the influence of these plants, we have, literally, Niagaras of alien beauty…"
10:04 "When I take mushrooms, I see more art in twenty minutes of behind the eyelids hallucination… than the human race seems to have produced in the last thousand years. On one level, that’s an incredible statement about the human capacity to generate and be in the presence of beauty. But the paradox is that so few people know this."
11:50 "[The 'gratuitous grace' of the psychedelic experience] is like a secret of some sort. And it’s a true secret, in that telling it does not give it away. I know this because I’ve been trying to tell this secret for twenty-five years, to anyone who would listen…"
14:20 "If you study the mystical literature… it all triangulates toward unitary states. ‘Bodhi mind’, ‘the white light’, ‘the ineffable’, ‘the unnamable’, ‘the radiance’. Vocabularies… which indicate some kind of homogeneity. …[but] when you push [psilocybin] there seems to be… a revelation of multiplicity, of detail, of complexification within complexification… an overwhelmingly bewildering profusion of phenomena."
17:08 "…the great confounding fact that I’ve brought back from my excursions in these places is that there is an organized intelligence in there… far more alien than the cheerful pro-bono proctologists that haunt the trailer-parks of the less-fortunate… What does it mean that our culture has sealed us off from this information?"
19:46 "What is the implication for the future [when] in this dark hour of complete over commitment to technology, economic solutions, rational reductionism, materialism, and so forth… this news [of psychedelics] arrives from these repressed aboriginal people that we have marginalized and humiliated in the process of building our own version of a global culture?"
21:28 "…where [psychedelics] hit us hardest is in the domain of art and invention and novelty, and we have built a culture that-however hostile it may be to the psychedelic experience-is incredibly friendly toward novelty, innovation,
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