This week, Lisa speaks with talented Swiss-Haitian-Finnish artist Sasha Huber to explore the intersections of art, activism, and healing. Sasha shares her journey from her family's legacy of textile arts to her cutting-edge activist-based art practice.
As Sasha unfolds her story of "reparative intervention," using her pneumatic staple gun to highlight social and historical injustices, we'll examine how her art taps into the deep-rooted pain of colonialism and the ways in which her work strives to stitch together a narrative of resistance and preservation. From discussing the decolonization of museums to the history of laws governing black attire during slavery in the United States, this conversation promises to be as thought-provoking as it is enlightening.
Gather your threads of curiosity and join us as we sew together the pieces of Sasha Huber's remarkable journey, and discover how her art becomes a protective and healing force against the scars of history. Let's "get our stitch together" by learning how to make meaning out of the materials handed down to us.
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Sasha Huber
Sasha Huber (b. 1975) is a Helsinki-based internationally recognized visual artist-researcher of Swiss-Haitian heritage. Huber's work is concerned with the politics of memory, care and belonging in relation to colonial residues left in the environment. Connecting history and the present, she uses and responds to archival material within a layered creative practice that encompasses performance-based reparative interventions, video, photography, and collaborations. Huber also usurps the staple gun, aware of its symbolic significance as a weapon, while offering the potential to renegotiate unequal power dynamics and the possibility of repair, symbolically stitching wounds together (pain-things). Known for her artistic research contribution to the “Demounting Louis Agassiz” campaign, she is aiming at reassessing the glaciologist’s contentious racist heritage.
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Dr. Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.
Instagram: Lisa Woolfork
Twitter: Lisa Woolfork
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