Unveiling the Inspiration
Nelson Carlo De Los Santos Arias‘s journey with “PEPE” began with a moment of contemplation sparked by a statue of Pepe, the first and last hippopotamus killed in the Americas. Pepe was one of the three hippopotamuses owned by Pablo Escobar. This whimsical encounter laid the foundation for a film that transcends conventional storytelling, piecing together disparate tales like a puzzle with Pepe at its core.
Crafting the Narrative Puzzle
“PEPE” is a mosaic of diverse frames and stories intricately woven together, unified by the enigmatic presence of Pepe. Nelson Carlo De Los Santos Arias elucidated this approach’s visual and narrative choices, delving into the challenges and rewards of assembling such a complex cinematic tapestry. He shared insights into how he visually orchestrated the film’s interconnectedness, creating a mesmerizing effect that blurs the lines between reality and imagination.
Language and Identity
One intriguing aspect of “PEPE” is the use of multiple languages, reflecting the diverse linguistic landscape of its characters. The director explained the significance behind this creative decision, offering a glimpse into the film’s exploration of identity, communication, and the fluidity of language in a world where barriers dissolve.
A Cinematic Journey at Berlinale
As “PEPE” graces the screens of the 74th Berlinale, Nelson Carlo De Los Santos Arias reflected on the significance of showcasing his film to a global audience.
Through “PEPE”, he invites audiences on a profound journey that challenges perceptions, ignites the imagination, and underscores the transformative potential of storytelling in shaping cultural narratives and political futures.
“PEPE” is a testament to Nelson Carlo De Los Santos Arias‘s boundless creativity and visionary storytelling. “PEPE” is a mesmerizing experience at the 74th Berlinale that won’t be forgotten.
