Bruce la Bruce comes back to Berlinale with his latest film, “The Visitor“, included in the Panorama section. The film is an art piece, a provocative tale, a new rendition of Pasolini’s Teorema, a new exploration on sexual liberation.
The idea of “The Visitor” comes from the consideration on how modern and contemporary Pasolini still is. His view on power in sexual relationships lead bruce la bruce to this film, and he is wondering which sensual movies Pasolini could have done if he was still alive.
“The Visitor” was born as an art piece, that blossomed into a film, with influences on social issues. The stranger form Teorema becomes a migrant, a black mana, with all the political and social and sexual implications that this choice brings in a bourgeois family, that has lost sight of reality.
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