Paul Thomas Anderson may be one of the last American auteurs. The term, which means author in French, grew out of the French New Wave and eventually made its way to America by the 1960s where the director asserted control and authorship over his–and it often was his–films. The concept has come to represent a kind of rebellion against the corporate content machine, a lone, independent cowboy of authenticity in the arts. And yet today, while the theory is still around, it’s difficult for a filmmaker to sustain commercial viability as a brand while the film industry finds itself shifting in the streaming age.

On today's show, Ethan Warren, whose new book is The Cinema of Paul Thomas Anderson: American Apocrypha, is in conversation with Tom Knoblauch about the changing landscape of American cinema, the legacy of Paul Thomas Anderson, who directed films like There Will Be Blood, Phantom Thread, and Boogie Nights, and what his influence on the medium might be going forward.