Joe Martin finally made it onto Sunday Brunch after a few months of being impossible to pin down, which turns out to be a good problem – his new album Alone in Valentine came out in May and he just wrapped an eight-date UK tour to go with it. The album was recorded in Nashville at Glen Campbell's old house with Cal Campbell and Cornelius Webb producing, cut in about a week of 12-hour days with most of the arrangements happening live on the floor. Joe describes it as made by humans for humans, finished before AI slop takes over the world and makes a pure record harder to come by. We spend a good chunk of the hour in the weeds on craft – what mixing actually does, why mastering is a dark art that affects how a record feels more than how it sounds, why vinyl needs its own master because of the physics of a needle in a groove. From there the conversation drifts into territory that has been on Joe's mind: AI music and its uncanny perfection, the decline of grassroots venues as a downstream effect of cheap debt favouring the chains, why the kids are at stadium shows instead of small rooms, and what happens to culture when food and architecture and music all converge on the same shape of slop. The second half gets into harder questions about value-for-value. Joe is honest about where he is on the thousand-true-fans curve, where Nostr is right now (his word: quiet), and what it's actually like trying to convince a fan to leave Spotify when even artists with their entire catalog deleted have crawled back to the legacy platforms. He thinks the path through is culture, not lectures – more events like Bitfest, more music at conferences, winning hearts before minds. Joe brought five songs and not one of them was his own, which I had to overrule by playing Checkmate off the new album – his nod to Max Hillebrand's quiet exit, with Jeff Booth and Saylor quotes tucked into the bridge. Links Joe on Nostr Joe's Music Revolution Rocks BTC Prague Discount code: NOSTR