The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies:  short meditations that introduce you to a single work of art seen through the eyes of an art historian.

Joan Kee (University of Michigan) delves into how Chao-Chen Yang’s color photograph Apprehension (c. 1942) captures the feeling of surveillance, silencing, and precarity, particularly as experienced by those who are Asian in the United States, whether during World War II or today.