The SFFaudio Podcast #413 – Jesse, Paul Weimer, and Maissa discuss The Man With The Getaway Face by Richard Stark

Talked about on today’s show:
Jesse is not a series guy, excellent book, great book, Paul enjoyed it a lot, why haven’t I read this sooner?, The Mourner, cassette change over points, very nostalgic, the narrator Michael Kramer, a one trick pony, fewer adjectives and adverbs, The Hunter, the back story (before the bandages came off), the wife, The Ringworld Engineers, crime habits, he needs some money, a lot of humor, dry humour, all the characters, I’ll get your face back, Handy McKay, when he buys cigarettes from a vending machine, did he light a match on his tooth?, half-lit, when Westlake makes a character, there are no wallpaper characters, are you Sarah Connor?, Charles Wells, very Westlake, so clean and well defined, they know and do what they want, the book’s structure, easier to read on the page than to hear, what about the philosophy?, more of the same, not wanting more of the same, going for ideas, reading westerns, romance, wish fulfillment, Mike Resnick, digestible dialogue driven storytelling, we like Parker, of course he’s a murderer and a thief, a liar, his real name, his Florida hotel name, utterly transformative plastic surgery, it’s science fictional!, the symmetry, you’re still you, taking on the mob, a kind of growth, how Parker talks about Handy McKay, The Steel Hit, he doesn’t know himself, Alma the waitress (aka the Finger), Skim, funny names, he doesn’t know what he’s done, reflection, I’m going to be a better person everyday, we need to admire, different values, willing to kill for goals, an internal set of rules that he respects, the bowling theory of book writing, Stubbs was heroic in his folly, when his thoughts ran through his mind like they were on wheels, a deep philosophy, The Philosophy Of Parker, epicureanism, pleasure as the greatest good, a hooker, men by paperbacks and women by hardcovers, Marcus Aurelius’ Meditations, living through the pain that is reality, stoicism, get used to it, deal with it, get past it, increasing the pleasure of the little things, an interlibrary loan from the Yukon, appreciating the local detail, New York, New Jersey, Staten Island, scrubby sandy, set in an area Paul recognized, going with the getaway face, Westlake would winter, a tour of the whole east coast, North Carolina, “hey budd-eh”, a great no-shit guy, he’s not a superhero, he’s canny, how did he finance the job?, he’s lying to everybody all the time, a professional problem, some range for motion, some sort of efficiency, fingerprints, bad hombres, the cop never shows up again, crime seems easy, what’s up with the coins?, Payback is an adaption of the The Hunter, you can’t trust the police, you can’t trust the government and you can’t trust your family, “Trust no one!” Cobra Commander, a mirror face, the podcast went in a weird direction, caring about laws, all about efficiency, why does he keep robbing, owning a bunch of businesses around the country, Parker parked the car, how many reasons for the title?, getting away with the head, The Outfit, the syndicate, Robert Duvall, 13 Dresses, The Mourner, The Score, an Alan Arkin movie, The Jugger, The Seventh, changing policies, he trusted the doctor, I get so few patience, everybody in the world is broken, refining an outlook, Westlake is mad at Stark, trusting Alma, Parker doesn’t need the money, you have to do what you’re good at, The Handle, working in big groups, The Rare Coin Score, numismatists, The Green Eagle Score, The Black Ice Score, The Sour Lemon Score, Deadly Edge, Slayground, Butcher’s Moon, Comeback, Backflash, Flashfire, Firebreak, Breakout, Nobody Runs Forever, Ask The Parrot, Parker has no sense of humour, the Dortmunder series, the Grofield series, Jimmy The Kid by Donald Westlake, excerpts from a fake Richard Stark Parker novel called Child Heist, Gary Coleman, Nine Princes In Amber by Roger Zelazny, an homage to Donald Westlake, clippy dialogue, Lawrence Block, when Westlake quit Science Fiction, the Hard Case Crime website, how I found Westlake and Stark, the one thing we know about readers…, one heist per TV season, Leverage, the Gravedigger webcomic, everybody wants to get in on the action, Fifty Years of Parker, Parker’s rules, any rule can be broken, a guy named Mal turned out bad, “When a fresh-faced guy in a Chevy offered him a lift, Parker told him to go to hell.”, “When the bandages came off, Parker looked in the mirror at a stranger.”, Spearhead From Space, “when” puts you right into the middle of the action, right back to The Odyssey, Parker on a boat, a Casino off the coast of Cuba, high concept, two-fisted action, he’s come back from the dead, winking at you in every scene, driving, compartmentalizing her life, the best opening line of a book ever: “When the phone rang, Parker was in the garage, killing a man.”, and then the murders began, forest fire, a snitch in the game, they need socialization, very modern, in the army during WWII, how old is Parker?, like Archie Andrews, he’s always in his prime, Prince Corwin, like Batman, he’s always with us, his superpower is he’s all about efficiency, seeking out crime, I appreciate you appreciating it, Aural Noir, running two websites that were virtually identical, Block inhabits a world I don’t inhabit, a lucid world, there are always the same people in every job, completely universal, The Breakfast Club, seedy and exciting, Protector, the books were thin and the ideas were long, Stephen King and his success, 175 pages, Leon Uris, 35¢, double features, what does Parker think about when watching these movies, there’s something wrong with him, he lies to everybody except for himself, “self-contained”, unconscious, kind of like an actor, playing a role, Skim, falling apart, the clinic, fear of losing your stuff, so much is falling apart, is it the world, the swampland in Flordia, cellies, trying to have a conversation, there’s no point in telling this guy, a brutal horrible world, a horror not usually expressed in novels, what’s going to happen next action, doing whatever he wanted, it really isn’t about the money, it’s like he’s trying to get rid of it, what he tells himself, the point of existence, what are you gonna do?, Skim is a pathetic version of Parker, it hardened him, a shark constantly moving and feeding, a death wish?, sloppiness, without a purpose, his elevens were up, Charles Wells’ retirement, Lawrence Block is always retiring like Handy McKay, unfinished Westlake or Stark?, writing like role playing, such a high output, Philip K. Dick, Robert Silverberg, Sir Arthur Conan Doyle, three months for The Sign Of The Four, a great book.

Posted by Jesse Willis