avatar

ROBERDUB RADIO - HIGHER REGGAE UPFULNESS SOUNDz by ROB le DUB

Dub Reggae International
Dub Reggae International
Episode • Mar 17, 2019 • 2h 28m
1 ROB & ANGz DUB - (HaPpY BIrThDaY 2019)2 by ROB le DUB
2 Beat The System - (10" Irieland Music) by Soultrain
3 Armageddon Version by Prince Far I & Black Skin
4 Hardcore Loving. 1990 by J C Lodge & Shabba Ranks
5 Give Thanks (Harmony) Sad Streetz Riddim (TJ REC) OCT 2010 by Vybz Kartel
6 Give Me a Dubplate (Original Mix) [Smokers Inc 1997] by Rude & Deadly
7 Get Ready (feat Rebel MC & Tenor Fly & Daddy Freddy & Nanci Correia) by Congo Natty
8 Step Away by Jennifer Barrett
9 concrete_jungle_FINALMaster by Zabloxz Miller
10 Call up wi name ( Raw ) (Call Up Wi Name { ALBUM } by Jah Be
11 Drive Yuh Hearse by Jah Be
12 Shot A Fiya by Jah Be
13 Pink and White by Jah Be
14 Every Time by Jah Be
15 Blood Money by Jah Be
16 Jah Jah Rule (Tempo Riddim) by Burro Banton
17 Praises to the King........... by Prince Jaabaal
18 hailing-jah-jah-mix-tape-version-2 by Prince Jaabaal
19 NOT A RUDE BOY......... by Prince Jaabaal
20 i-hope-and-pray-mix-tape-version by Prince Jaabaal
21 Love D Ganja 2............ by Prince Jaabaal
22 run-come-rally by ras-michael & dadawah
23 run-agressors-run-1973 by ras-michael-with-the-sons-of-negus
24 love-light-crucial-version-1979 by The Tamlins
25 Till Death by Gianna
26 EASY by Teacha Mike ft.Gianna
27 They Dont Really Care by Gianna
28 Jah Jah Way by Sis Nya
29 Jah Jah Dub by Sis Nya
30 once-a-virgin-modelling-queen-version by Eek A Mouse
31 Terrorists In The City 12" Mix 1983 by Eek A Mouse
32 The Mouse & The Man by Eek A Mouse
33 God Nah Sleep by David Powell
34 Relationship Still Alive by David Powell
35 royal princess M by Zabloxz Miller
36 Lady & Dub For Lady by Otis Gayle
Dancehall music, also called ragga or dub, style of Jamaican popular music that had its genesis in the political turbulence of the late 1970s and became Jamaica’s dominant music in the 1980s and ’90s. Central to dancehall is the deejay, who raps, or “toasts,” over a prerecorded rhythm track (bass guitar and drums), or “dub.”
The seductive chant of the dancehall deejay—part talking, part singing—came to prominence in the late 1970s but dates from as early as 1969, when U-Roy experimented with talking over or under a “riddim” (rhythm). This multimodal African diasporic style also is evident in the hip-hop music of North America, and the origins of both can be traced to West African performance modes.
The rise of deejay Yellowman in the early 1980s marked the transition from reggae to dancehall music that took place in Jamaican nightclubs. a resurgent Rastafarian consciousness was exemplified in the work of Buju Banton, Anthony B, and Sizzla. Page en.wikipedia.org/wiki/Dancehall

Switch to the Fountain App