Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2
Wes & Erin continue their discussion the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable.
Upcoming Episodes: Rilke, Rebecca (1940), Dickinson.
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