In 1960, Otto Preminger provoked controversy with his movie Exodus. Based on Leon Uris’s novel, it provides a fictional account of Jewish refugees emigrating to Palestine after World War II. The film concludes with the bodies of a young European-Jewish girl and an Arab man, both murder victims, buried in the same grave in what will soon be the nation of Israel.

Preminger leaves the conclusion to us. Is this a metaphor for despair, a dream forever buried? Or is it a symbol of hope, as two peoples with a history of hatred and hostilities come together—in death and in life?

Perhaps the sons of Korah, credited with writing Psalm 87, would take the latter view of this scene. They anticipated a peace we still await. Of Jerusalem, they wrote, “Glorious things are said of you, city of God” (v. 3). They sang of a day when nations—all with a history of warring against the Jewish people—will come together to acknowledge the one true God: Rahab (Egypt), Babylon, the Philistines, Tyre, Cush (v. 4). All will be drawn to Jerusalem, and to God.

The conclusion of the psalm is celebratory. People in Jerusalem will sing, “All my fountains [springs] are in you” (v. 7). Who are they singing of? The One who is the Living Water, the Source of all life (John 4:14). Jesus is the only one who can bring lasting peace and unity.