One of the real dangers of recording interviews is that plenty can change over the course of a few weeks. One interviewee lost her job of 17 years the week before that conversation was posted. Another didn’t get their show renewed. The news isn’t always bad, however. And in the case of artists like Sara Benincasa there’s a sort of unspoken understanding that five or 10 new project will be unveiled in the interim. The bulk of our hour-long conversation was dominated by Benincasa’s 2012 memoir Agorafabulous (now a newly-released audiobook), which tackles her struggles with agoraphobia, anxiety and chronicles her somewhat accidental early comedy career. Fittingly, we also discussed the ways in which the internet has affective creativity, leading so many to build a career from bits and pieces, rather than plugging away as some singular goal. Benincasa’s Twitter account is a testament to a writer who seemingly never slows down, and as I was readying this interview for a few weeks back, it occurred to me that we really ought to find a way to shoehorn fascinating new Kickstarter project into the mix. The comedian agreed to sit down for a rare Skype followup, setting aside 10 minutes during a teaching trip to Chicago. So there you have it, two interviews — or maybe one and a half — for the price of one. Which, incidentally, was free in the first place. What’s not to love?
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