Matt greets me at the door of the duo’s spacious Brooklyn home. We walk past a fireplace mantel showcasing multiple MTV Moon Men. We chat for a bit about social media, and he shows me snippets of the Matt and Kim Vlog — short videos from the road, designed to connect with the group’s very loyal fanbase. We meet Kim upstairs in a room they’ve converted into a recording studio. Kim wonders half-jokingly whether she’s going to “drag [her] lazy ass out of bed” in the morning for an exercise class (she will), and as gesture to a toy piano in the corner, Matt taps out the melody of “Daylight.” Kim and Matt are beaming and joking — precisely the what you’d expect from the pair after listening to their records for a dozen years. But the current state of affairs belies the struggle that underpins much of their most recent record, Almost Everyday. The album was written during Kim’s recovery process, after the drummer injured her ACL on-stage in Mexico. 2017 was a year filled with recuperation and bouts of depression. But both insist they came out the side better for it — and at the very least, having recorded their most introspective work to date.

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