“As long as one can walk one can protest,” Trina Robbins explains, over the white noise of a nearby espresso machine. “And as long as i don’t have to take too many hills, I can still walk.” The cartoonist’s assessment of the current political climate is equally pessimistic and hopeful, as the actions of the Trump administration have caused many Americans to loudly declare their support for women’s rights, while taking to the streets in protest. Robbins has been outspoken about her values for decades, even when it her opinions made her unpopular with many of her peers, as one of the first women in the underground comics community. But the artist and her have persevered, from the Last Gasp all-female anthology, Wimmen's Comix, to her stint in the early 80s as the first woman to draw Wonder Woman. This year, Robbins looked back on her career with the memoir, Last Girl Standing, an insight into her love affair with comics, struggles in the industry and reconnecting with her father’s writing after his death. We sat down at a cafe near her San Francisco home to discuss her long career and hope for the future.
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