The Aesthetics of Death in “Beetlejuice” (1988) (Part 2)
Wes and Erin continue their discussion of “Beetlejuice,” and what its battle royale between conflicting aesthetic sensibilities—rustic, gothic, and avant-garde—has to say about the connections between love, mortality, and the many pitfalls of growing up.
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Upcoming Episodes: Conrad Aiken’s “Morning Song of Senlin,” “Sunset Boulevard,” Marianne Moore’s “Jerboa.”
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