New Money, Old Rules: The Gilded Age Podcast (Interview with Harry Gregson-Williams and Rupert Gregson-Williams, Series Composers)
Welcome to New Money, Old Rules: The Gilded Age Podcast! Join Caroline and Mike each week as they discuss HBO's new period drama, The Gilded Age!
This week on a special episode of New Money, Old Rules: The Gilded Age Podcast, Caroline & Mike sit down with series composers, Harry Gregson-Williams and Rupert Gregson-Williams.
Can't get enough of The Gilded Age's music? Well, now you can download the official soundtrack for purchase from the iTunes Store and Amazon Music. It's also available for stream at Spotify, Apple Music, Soundcloud, and everywhere else you listen to music.
The official soundtrack features 39 tracks from the show's composers, Harry Gregson-Williams and Rupert Gregson-Williams, and has a run time of 1 hour and 18 minutes.
Here is a link to the soundtrack on Spotify!
Standing-Rupert-Gregson-Williams-at-Keyboard-is-Harry-Gregson-Williams-photo-credit-by-Riley-Donavan
GUEST BIOS:
HARRY GREGSON-WILLIAMS is one of Hollywood’s most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. He most recently wrote the music for “The Last Duel” and “House of Gucci” both directed by Ridley Scott. In addition, he wrote the music for Disney’s live action feature film “Mulan” which was directed by Niki Caro with whom he worked previously having scored her film “The Zookeeper’s Wife.” Gregson-Williams also co-wrote the original song “Loyal Brave True” for “Mulan” performed by Christina Aguilera. He and his brother composer Rupert Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”
He was the composer on all four installments of the animated blockbuster “Shrek” franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning “Shrek.” He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson’s “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” He has collaborated multiple times with a number of directors, including Ben Affleck on “Live by Night,” “The Town” and “Gone Baby Gone”; Joel Schumacher on “Twelve,” “The Number 23,” “Veronica Guerin” and “Phone Booth”; Tony Scott on “Unstoppable,” “The Taking of Pelham 1 2 3,” “Déjà Vu,” “Domino,” “Man on Fire,” “Spy Game” and “Enemy of the State”; Ridley Scott on “The Martian,” “Prometheus,” “Exodus: Gods and Kings,” “Kingdom of Heaven,” “The Last Duel” and “House of Gucci”; Bille August on “Return to Sender” and “Smilla’s Sense of Snow”; Andrew Adamson on the “Shrek” series, the first two “Narnia” movies and “Mr. Pip”; and Antoine Fuqua on “The Replacement Killers,” “The Equalizer,” The Equalizer 2” and “Infinite.” Some of his other recent film projects include the documentary “Return to Space” directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin with an original score by Harry and composer Mychael Danna which marks their first collaboration together and premieres April 7, 2022 on Netflix, Disneynature’s all-new feature film “Polar Bear” which streams exclusively on Disney+ beginning April 22, 2022, “The Ambush” directed by Pierre Morel, “Life in a Day 2020” directed Kevin Macdonald, “The Meg” directed by Jon Turteltaub, Aardman’s “Early Man” directed by Nick Park for which he received an Annie Award nomination and Disneynature’s “Penguins.” His television credits include “Whiskey Cavalier,” the miniseries “Catch-22” along with his brother Rupert Gregson-Williams and creating the main title theme and scoring two episodes of the anthology series “Philip K. Dick’s Electric Dreams” for which he received an Emmy nomination for the episode titled “The Commuter.”
Gregson-Williams has scored three of the five games...
This week on a special episode of New Money, Old Rules: The Gilded Age Podcast, Caroline & Mike sit down with series composers, Harry Gregson-Williams and Rupert Gregson-Williams.
Can't get enough of The Gilded Age's music? Well, now you can download the official soundtrack for purchase from the iTunes Store and Amazon Music. It's also available for stream at Spotify, Apple Music, Soundcloud, and everywhere else you listen to music.
The official soundtrack features 39 tracks from the show's composers, Harry Gregson-Williams and Rupert Gregson-Williams, and has a run time of 1 hour and 18 minutes.
Here is a link to the soundtrack on Spotify!
Standing-Rupert-Gregson-Williams-at-Keyboard-is-Harry-Gregson-Williams-photo-credit-by-Riley-Donavan
GUEST BIOS:
HARRY GREGSON-WILLIAMS is one of Hollywood’s most sought-after and prolific composers whose long list of film and television credits underscore the diverse range of his talents. He most recently wrote the music for “The Last Duel” and “House of Gucci” both directed by Ridley Scott. In addition, he wrote the music for Disney’s live action feature film “Mulan” which was directed by Niki Caro with whom he worked previously having scored her film “The Zookeeper’s Wife.” Gregson-Williams also co-wrote the original song “Loyal Brave True” for “Mulan” performed by Christina Aguilera. He and his brother composer Rupert Gregson-Williams wrote the original score for the drama series “The Gilded Age” which debuted on HBO on January 24, 2022 in the US and will be available to stream on HBO Max. “The Gilded Age” launched on Sky Atlantic and streaming service NOW in the UK on January 25, 2022. They previously worked together on the miniseries “Catch-22.”
He was the composer on all four installments of the animated blockbuster “Shrek” franchise, garnering a BAFTA Award nomination for the score for the Oscar-winning “Shrek.” He received Golden Globe and Grammy Award nominations for his score for Andrew Adamson’s “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe.” He has collaborated multiple times with a number of directors, including Ben Affleck on “Live by Night,” “The Town” and “Gone Baby Gone”; Joel Schumacher on “Twelve,” “The Number 23,” “Veronica Guerin” and “Phone Booth”; Tony Scott on “Unstoppable,” “The Taking of Pelham 1 2 3,” “Déjà Vu,” “Domino,” “Man on Fire,” “Spy Game” and “Enemy of the State”; Ridley Scott on “The Martian,” “Prometheus,” “Exodus: Gods and Kings,” “Kingdom of Heaven,” “The Last Duel” and “House of Gucci”; Bille August on “Return to Sender” and “Smilla’s Sense of Snow”; Andrew Adamson on the “Shrek” series, the first two “Narnia” movies and “Mr. Pip”; and Antoine Fuqua on “The Replacement Killers,” “The Equalizer,” The Equalizer 2” and “Infinite.” Some of his other recent film projects include the documentary “Return to Space” directed by Oscar-winning directors Elizabeth Chai Vasarhelyi and Jimmy Chin with an original score by Harry and composer Mychael Danna which marks their first collaboration together and premieres April 7, 2022 on Netflix, Disneynature’s all-new feature film “Polar Bear” which streams exclusively on Disney+ beginning April 22, 2022, “The Ambush” directed by Pierre Morel, “Life in a Day 2020” directed Kevin Macdonald, “The Meg” directed by Jon Turteltaub, Aardman’s “Early Man” directed by Nick Park for which he received an Annie Award nomination and Disneynature’s “Penguins.” His television credits include “Whiskey Cavalier,” the miniseries “Catch-22” along with his brother Rupert Gregson-Williams and creating the main title theme and scoring two episodes of the anthology series “Philip K. Dick’s Electric Dreams” for which he received an Emmy nomination for the episode titled “The Commuter.”
Gregson-Williams has scored three of the five games...
Activity