In September, “Free Fall” seemed to be everywhere. In her latest long form work for The New Yorker, Emily Flake captured a sense of existential ennui that permeated much of the population six months into a pandemic-driven shut down. It was, one of the cartoonist’s most widely-shared works for the magazine since “Young and Dumb Inside,” which explored her decades’ long love for the punk band, Jawbreaker. Flake is probably best know as the long-time publisher of New Yorker gag strips, but her deeply personal comics essays strike an entirely different chord among its readership. Flake joined us to the discuss the process of putting heartfelt and personal work on paper and how the pandemic has impacted her comics. 

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