Insights from NYT Bestselling Authors, Ali Hazelwood and Kiley Reid
In today's Books with Hooks, Bianca, Carly, and CeCe discuss the need for specificity with regard to plot details when you have a more psychological book/concept; avoiding too much backstory in the opening pages; the need for your first chapter to be as strong as your prologue (if you have one); being as specific about your genre as possible; and how emotionality adds layers to your work.
After which, we have two author interviews.
Bianca first interviews NYT bestselling Ali Hazelwood, author of Bride and The Love Hypothesis. They discuss how Ali started writing fanfiction; the unconventional way she got her agent; Ali's submission experience with The Love Hypothesis; reader fascination with vampires and werewolves; how Ali tackled world-building in Bride; writing an 'alpha male' trope that still aligns with feminism; how Ali approached making her prickly main character more sympathetic; and Ali's advice for writing steamy scenes.
After which Bianca interviews Kiley Reid, author of the NYT bestseller, Such a Fun Age, and her latest, Come & Get It. They discuss Kiley's journey to publication; her choice of inciting incident for both of her novels; how she successfully 'broke the rules' with regards to character introduction in the first chapter; her strategies for writing authentic dialogue; leaning into specificity through action beats within dialogue; Kiley's 'signature move' involving the introduction of backstory; and tips for writing a quieter novel, but with strong, 'loud' undercurrents.
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