Commercial and amateur theatre producers who wish to procure the rights to present a musical or play must first apply to the representative of the owners. Whether you're Cameron Mackintosh or the Bullarook Light Opera Company, a licence to perform must be obtained. Intellectual property is then protected and the necessary parties receive their rightful compensation.
If you have ever secured a performing licence for a musical or play, chances are you've heard the name Nanette Frew. For almost 20 years Nanette was the Licensing Agent for the organisation Warner Chappell. She protected the many shows they represented and negotiated with many schools, community theatre groups and commercial producers, to ensure that every show licensed was presented as contracted. The properties in her care were extensive; indeed she oversaw the explosive success of Les Miserables on the professional stage and when it was released to non-professional artists.
Prior to this she commenced her working life as a copywriter in the world of radio advertising in country Victoria.
She has also navigated a significant role contributing to community theatre as a director and actor, working regularly with the Genesian Theatre Company and Pymble Players.
Nanette is a delight and shares some fascinating stories of behind-the-scenes, and the tremendous care required in the execution of her role managing many of the shows we have all seen on professional and amateur stages.
The Stages podcast is available in iTunes, Spotify and Whooshkaa
If you have ever secured a performing licence for a musical or play, chances are you've heard the name Nanette Frew. For almost 20 years Nanette was the Licensing Agent for the organisation Warner Chappell. She protected the many shows they represented and negotiated with many schools, community theatre groups and commercial producers, to ensure that every show licensed was presented as contracted. The properties in her care were extensive; indeed she oversaw the explosive success of Les Miserables on the professional stage and when it was released to non-professional artists.
Prior to this she commenced her working life as a copywriter in the world of radio advertising in country Victoria.
She has also navigated a significant role contributing to community theatre as a director and actor, working regularly with the Genesian Theatre Company and Pymble Players.
Nanette is a delight and shares some fascinating stories of behind-the-scenes, and the tremendous care required in the execution of her role managing many of the shows we have all seen on professional and amateur stages.
The Stages podcast is available in iTunes, Spotify and Whooshkaa
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