NYLONANDJUNO finds Jason Lytle trying something new. It’s a set of songs constructed around limitations — in this case, all of the music is played on a synthesizer and guitar, with a broken bottom nylon string. It’s also an entirely instrumental album, a far cry from the singer-songwriter’s days fronting indie-rock mainstay, Grandaddy. The record finds Lytle joyfully exploring new territory more than 20 years into his professional recording career. With a number of his fellow Arthur King collective members in town for an art exhibition, the musician joined us to discuss the ups and downs of his long celebrated career, time as a pro skater and reconnecting with the joy of making music.

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