David Iserson, screenwriter of The Spy Who Dumped Me, writer on Saturday Night Live, United States of Tara, and New Girl, and author of YA novel Firecracker, talks about micro and macro humor, how unreliable narrators is one of the beautiful advantages of writing a book, co-writing as being in conversation with someone, and the merit of spite writing.
Links and Topics Mentioned In This Episode- Encyclopedia Brown by Donald J. Sobol was one of the only books marketed to boys that David read as a young boy
- Judy Blume, author of Are You There, God? It’s Me, Margaret and Tales of a Fourth Grade Nothing, and Sweet Valley High by Francine Pascal were some of the books David read as a kid, because he wasn’t drawn to the “Boy who only throws strike-outs!” books
- B. Dalton Bookstore, where David would go shopping for books at the mall -- David says, “As a New Jersey pre-teen and teen, most of my memories are mall-related.” RIP B. Dalton!
- David was very, very into comic strips as a kid, like Calvin & Hobbes by Bill Watterson and Bloom County by Berkeley Breathed
- There’s a Bat in Bunk Five by Paula Danziger, a book set in an art summer camp that made David realize he could go to something other than sports camp during the summer Buck’s Rock camp in Connecticut
- Quentin Tarantino, an independent screenwriter and director of Reservoir Dogs and Pulp Fiction whose work made David realize that people wrote movies
- Zach Braff, actor in shows like Scrubs and writer and director of Garden State, was David’s TA and freshman year RA at Northwestern
- Miramax, Harvey Weinstein’s film production company, was where David got his first assistant job after moving to Los Angeles. David worked for a producer who played a part in creating The Cider House Rules, Pulp Fiction, and Bourne Identity
- Parks and Recreation, a TV show that I believe shows all its characters being excellent at something, which makes us like them more
- Tina Fey and Jimmy Fallon were the anchors on Weekend Update when David was submitting jokes to Saturday Night Live and first got a joke on the air
- “Seinfeld, a show about a stand up comic written by some of the funniest people in the world, but there are very few ‘joke jokes,’” David says. “They are placed in a situation and you see what this situation means to them. To me, that’s the highest form of writing comedy.”
- David wrote on New Girl, where he says he wrote a lot of joke-jokes
- The United States of Tara, starring Toni Collette, was the first scripted TV show David worked on
- UCLA Extension, which offers a lot of continuing education classes for writers
- Susanna Fogel, David’s co-writer on The Spy Who Dumped Me, which David says was written out of a “fist-shaking, ‘We’ll show you!’ energy.”
- David and Susanna’s episode of Scriptnotes, a screenwriting process hosted by John August, writer of Charlie’s Angels, Big Fish, Go, as well as the Arlo Finch middle grade series (listen to his First Draft episode here), and Craig Mazin, writer of upcoming series Chernobyl, as well as The Hangover Part II and Identity Thief.
- “I write jokes for a living, I sit at my hotel at night, I think of something that's funny, then I go get a pen and I write it down. Or if the pen is too far away, I have to convince myself that what I thought of ain't funny.” ~ Mitch Hedberg’s joke about writing jokes
Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Michael Dante DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works.
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