Episode 103: Stand by Me This week on Philosophy in Film, the gang sets out down the tracks with Rob Reiner's beloved coming-of-age classic, Stand by Me. Based on Stephen King's novella The Body, the film follows four boys as they leave in search of a missing body. What begins as childhood curiosity slowly unfolds into a meditation on friendship, memory, and the quiet moment when innocence gives way to experience. Craig packs the provisions with Producer's Notes (8:30), while Alain walks the rails through the Beauclair Synopsis (19:21), tracing the boys' winding path through campfire confessions and junkyard trials. In Philosopher's Corner (39:48), Chris reflects on the fragile architecture of childhood friendship, asking how loyalty, vulnerability, and social circumstance shape who we become long after the journey ends. The gang gathers at the Round Table (47:20) to revisit the film's enduring emotional resonance, weighing nostalgia against realism and asking why stories of youth often feel clearest in retrospect. Reviews (1:26:57) bring the trip home, as we reflect on a film that continues to find new meaning with each revisit. As always, we explore the philosophical and non-philosophical terrain of the film, because sometimes the longest journeys are the ones we only recognize after we've grown up. 🍻 Featured Beer 🍻 - Alberta's Great Out S'mores Milk Stout by Hub Town Brewing (Okotoks, AB)