The SFFaudio Podcast #152 – Jesse talks with Trent Reynolds and Paul Westlake about the AudioGo and Hard Case Crime novel The Comedy Is Finished by Donald E. Westlake.

Talked about on today’s show:
Is The Comedy Is Finished going to be the last Donald E. Westlake novel to be published?, Memory (and our discussion of it), Charles Ardai, Max Allan Collins, Mickey Spillane, getting paid is a priority for professional writers, the 1970s, Honeydew, USO tours, Bob Hope, the audiobook experience, Peter Berkrot’s narration of the audiobook of The Comedy Is Finished, Koo Davis, Bob Hope as Red Skelton vs. Bob Hope as Gene Kelly, Alfred Hitchcock, Ricky Gervais, Koo Davis narrates his own POV in the present everyday tense sense, “Westlake is the master of sentence by sentence writing”, “in the moment”, “the god-damned Vietnam thing”, “the real Americans”, the redemption, healing vs. moving on, Ronald Reagan, “new normal”, “the Carter malaise” and “festering wounds”, Larry, Peter, Mark has daddy issues, Joyce, the Dortmunder gang if they were all psychotic, “doing a Westlake”, why do Koo’s boys not look like him?, the role of a father, the mirror scene, “genetics don’t matter in fiction”, fatherhood as a choice, leave the messages to Western Union, character arcs, Lindsey, A Sound Of Distant Drums, radio drama, “there are round characters and there are flat characters”, “oh this is a Westlake”, “Charo has become a bitter old woman”, “a romantic writer”, succinct description, taking plots from real life, The Score, “he can heist anything”, The Mourner, The Stepfather, “that’s pretty much how these work”, three Dortmunder ideas, Kahawa should be an audiobook, California, Burbank, Santa Barbara, Elizabeth Taylor’s biography, Under An English Heaven should be an audiobook too, Anguilla, an option has been taken out on Kahawa, the new Parker movie, Stephen King’s filmography vs. Donald Westlake’s filmography, The Hot Rock, Cops And Robbers (1973), The Split (based on The Seventh), Payback, Les Alexander, The Outfit, City Of Industry, The Sour Lemon Score, Made In U.S.A., the Criterion Collection, it’s Clint Eastwood with internal monologue, a Dortmunder TV series, The Limey, Terence Stamp, Idi Amin, Uganda, “the coffee train”, Enough, Ordo, A Slight Case Of Murder, A Travesty, it’s very hard to be a Westlake expert, the sound a girl makes when you’re kissing her, “it’s just a weird name”, Bob Hope was a knight!, Conrad Black, Baron Black of Crossharbour, Westlake’s Science Fiction and Fantasy, Westlake’s renunciation of SF, Anarchaos by Curt Clark, “Rolf Malone is a precursor to Parker”, Theodore Bikel (the fiddler in The Fiddler On The Roof), The Risk Profession, Nackles (is great for kids!), The Twilight Zone, Harlan Ellison’s screenplay for Nackles, the Starship Hopeful series (available on DonaldWestlake.com), Lawrence Block’s fantasy story, SF is very allegorical (and that’s not Westlake), Humans, Westlake’s Smoke vs. Wells’ The Invisible Man, “and everybody’s an asshole”, “everybody one way or another is a jerkoff”, “Joyce goes crazy in the most wonderful way”, a survivor of Chernobyl, “is God really an asshole?”, “angels are assholes”, Milton’s Paradise Lost, The Sacred Monster, Get Real, ridicule in print, Money For Nothing, Westlake never lectured, interior thoughts that are so revealing about the shallowness of a character’s nature, Washington, D.C., “moving up the ladder”, “what does Ginger want?”, “it’s fun to play with fire”, “I’ve got to have something”, did Don hate rock and roll?, he liked classical and atonal jazz, “damn hippie”, 99% of politics is pointless, talking to death, Jimmy The Kid (a Parker novel inside of a Dortmunder novel), kidnapping, Help I Am Being Held Prisoner, Patty Hearst, Gangway, Brian Garfield, Spider Robinson’s Dortmunder homage, Lawrence Block, The Sour Lemon Score, Dashiell Hammett, Piers Anthony, Poul Anderson, Robert A. Heinlein, shiny spaceships, don’t read by genre, read by author, the genre label, Jim Thompson, The Grifters, Trent’s beef with Angelica Huston, a period piece, Paul had a problem with John Cusack, J.T. Walsh, Pat Hingle, Annette Bening, “I’ll never look at a bag of oranges the same way”, Donald Westlake: NYC Personified, The Violent World Of Parker website, Nick Jones, Westlake’s bibliography at DonaldWestlake.com.

Posted by Jesse Willis