When Frankie Rose began work on Cage Tropical, she was living in Los Angeles, employed as a caterer — the struggling actor, Party Down kind. Not exactly the triumphant rock start victory lap of the artist who released one of of the best LPs of the best half-decade. But, then, these things rarely work out as planned. But the former Vivian Girls/Dum Dum Girls/Crystal Stilts managed to pull things together. Her new record ranks among her best, a testament to putting one’s head down and focusing on art in the face of uncertainty. It’s big and sprawling and personal, all at once, juxtaposing the her ups and downs, as exemplified on the second single, Red Museum, an existential sort of love song. Rose sat down in the lead up to Cage Tropical’s release to discuss the journey that led to the new LP and how she’s since resigned herself to the fate of being a musician for as long as she can sing into a microphone.
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