Like many of us, Danny Elfman had big plans for 2020. For the first time in forever, the musician paused many of his perennial obligations, clearing all film scoring jobs from his calendar. The new year would be all about touring. And then the once-in-a-lifetime global pandemic hit. Relocating his family away from their longtime home of Los Angeles, Elfman buckled down and got to work on something new. Big Mess is, at once, something familiar and entirely new. His second record and first studio album since the waning days of Oingo Boingo, the LP finds him returning to guitar-based composition. There are notes of his beloved band, including a reworking of the song “Insects,” but unique time signatures and dives into the avant-garde find the musician exploring new sonic realms.
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