We struggle to find a decent spot to set up shop on the New York Comic Con show floor — finally opting to do the whole thing standing, leaned up against the reception desk at the Dark Horse booth. Baker is fresh off a signing with Fifth Beatle collaborator (and past guest) Vivek Tiwary. The conversation quickly turns to the business — the hustle of comics, something that’s seemingly always at the front of the cartoonist’s mind. After all, Baker has managed to remain staunchly independent after decades in the business, even after countless industry awards and successful stints on books like Plastic Man and Deadpool. And fittingly, it’s Baker’s own creations that have been his most lauded, from his 1990 breakthrough, Why I Hate Saturn to his family strip The Bakers and 2005’s Nat Turner, a retelling of the 1831 slave rebellion produced at time when big publishers wouldn’t touch the story with a ten foot pole. In the midst of the busiest day of one of the county’s biggest comic shows, Baker explains how he’s managed to maintain his independence for two and a half decades.
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