Good day to you. In this edition:
* Some full-throat legato bowing, something I’m trying to get better at. [press play]
* Control vs. Participation
* A thread from a big head
As a cello player I constantly navigate on a spectrum between control and flailing: at either extreme there’s no music, but plenty can be found in the tension between them. Among my arms, digits, bow hair and strings there are a multitude of variables. We combine and adjust to find what works.
As a musician, I’m moving on another spectrum too: the one between participation and isolation. We can make all the sounds we want, but if there’s no one to play with or for, then the music can stagnate.
When I’m practicing or working in my studio I enjoy a near-total level of control, but if I don’t release music in the world then I get no participation. If I don’t go out and play (less control) then no one will benefit from my work (more isolation).
And it only begins there: some performances can be incredibly isolating in reality. Studio sessions can also be profoundly graceful and intimate.
A fresh formula has to be found every time.
But if you see the space for what it is, you can live in it forever.
Messages you may need to hear
In between making amazing blockbuster films, Christopher McQuarrie sometimes finds time to tweet great advice:
Check out the whole thread here.
Big love to your ears.
(Did you press play yet?)
Trevor
.
.
.
If you like my stuff, help it spread by sharing it!
* Listen to songs: Hear the “Trevor Exter Playlist” on Spotify
* Hang with players! Check out: "Play It Like It's Music"
* Consider hiring me to score your piece.
* I can also produce your podcast.
* More @trevorexter.com
Get full access to "Play It Like It's Music" by Trevor Exter at playitlikeitsmusic.substack.com/subscribe