'The Great Fermata' - Conductor, Benjamin Northey
Benjamin Northey is the Chief Conductor of the Christchurch Symphony Orchestra and the Principal Conductor in Residence of the Melbourne Symphony Orchestra. He has previously held the posts of Associate Conductor of the Melbourne Symphony Orchestra, Resident Guest Conductor of the Australian Pro Arte Chamber Orchestra and Principal Guest Conductor of the Melbourne Chamber Orchestra.
Born and raised in Ballarat, he embraced music as an expression from an early age. Flute, clarinet and saxophone were instruments of choice. An appetite and enthusiasm for further exploration saw him develop skills in arranging; and pursue piano, trumpet and violin to add to his developing skills set.
Northey graduated with performance studies in classical saxophone from the University of Melbourne Conservatorium of Music. He followed this promptly with a Master of Music study in Conducting, from the Victorian College of the Arts, and continued study abroad.
With a progressive and diverse approach to repertoire he has collaborated with a broad range of artists and he is adept at a terrific range of musical styles. And Benjamin Northey likes nothing more than to lead an audience through a sensory experience of music. He does it with passion, pride and perfection.
Benjamin Northey joined me in a passionate discussion that considers the musician's process; and ponders the present performance pause and absence of an audience.
Born and raised in Ballarat, he embraced music as an expression from an early age. Flute, clarinet and saxophone were instruments of choice. An appetite and enthusiasm for further exploration saw him develop skills in arranging; and pursue piano, trumpet and violin to add to his developing skills set.
Northey graduated with performance studies in classical saxophone from the University of Melbourne Conservatorium of Music. He followed this promptly with a Master of Music study in Conducting, from the Victorian College of the Arts, and continued study abroad.
With a progressive and diverse approach to repertoire he has collaborated with a broad range of artists and he is adept at a terrific range of musical styles. And Benjamin Northey likes nothing more than to lead an audience through a sensory experience of music. He does it with passion, pride and perfection.
Benjamin Northey joined me in a passionate discussion that considers the musician's process; and ponders the present performance pause and absence of an audience.
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