Why is it that some improvisers avoid playing with an older improviser, or when they do get to play with them, they make them their grandparents? Given some of the most famous, gifted improvisers who sell out shows are over the age of 60, why do peculiar attitudes around age still exist in our art form?This episode you hear from:Kathy Rinaldi - ImprompTwo, Sarasota, FloridaShaun Landry - The Ledge Theatre, LAThe u3a group, Market Harborough, UKGet the world of improv in your inbox every week with the Improv Chronicle Newsletter - https://improvchronicle.substack.com/Donate to help the podcast and newsletter get produced. Even £1 / $1 helps: https://ko-fi.com/improvchronicleHost / Producer:Lloydie James LloydPodcast Theme:Composed by Chris Stevens at Studio DragonflySupport this show http://supporter.acast.com/the-improv-chronicle-podcast. Hosted on Acast. See acast.com/privacy for more information.